Unhappy with their status at Motown (which then featured the Supremes, the Temptations, and Marvin Gaye), they switched to Buddah records at the conclusion of their contract. ” Touring with the Motown Revue, along with television appearances, helped bring the unique performance style of Knight and the Pips to the general audience. Seidenberg, 1414 Avenue of the Americas, New York, NY 10019. toured with Morris Brown Choir, 1950-53, and performed at numerous recitals at local churches and schools member of vocal group Gladys Knight and the Pips (originally known as just the Pips), 1953 - began recording 1957 has toured throughout the world, and has made a number of television appearances.Īwards: Two Grammy Awards NAACP Image Award numerous awards from magazine readers polls.Īddresses: Office –c/o MCA Records, 445 Park Ave., New York, NY 10022. daughter of Merald, Sr., and Elizabeth (Woods) Knight married Barry Hankerson, October, 1984 children: (previous marriage) Kenya, James (second marriage) Shanga. They soon began a string of successes for the R&B and crossover markets with such songs as “Just Walk in My Shoes, ” “I Heard It Through the For the Record …įull name, Gladys Maria Knight born May 28, 1944, in Atlanta, Ga.
In 1965, Gladys Knight and the Pips (by now Merald Knight, William Guest, and their cousin Edward Patten) joined Motown Records, home of the black close harmony sound. One reason is that the background voices -the ‘oohs and ahs ’ against the powerful lines I ’m singing -work on the subconscious. People don ’t know why the picture is being painted so beautifully. Because my voice is out front most of the time, they tend to want to separate that personality. In a 1983 interview in the New York Times, she defended the unified sound of the group: “Throughout our career, people have tried to break us up. The creative dance routines and exquisite harmonies of the Pips evolved in time, along with Knight ’s own voice, influenced by the song stylists whom she heard on recordings. Knight told Ebony that her status as lead vocalist developed by accident, but theirs was a contemporary sound in the early 1960s, when male and female close harmony groups were popular. Their first hit, “Every Beat of My Heart, ” although reaching the Top 20 Rhythm and Blues chart, was pirated and earned them no money. Their first single, “Whistle My Love, ” was released by Brunswick in 1957. They performed pop music as the Pips, opening for such soul stars are Sam Cooke, and maintained the gospel audience by singing as the Fontaineers.
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Knight told the New York Times that their first professional engagement was singing “Canadian Summer ” and “In the Still of the Night ” at a Y.M.C.A. The Pips were invented when she joined with her bother Merald ( ”Bub-ba ”) and cousin William Guest to perform at a family party. She was a prize winner on the Ted Mack “Amateur Hour ” in 1952, singing popular solos. Her debut was made at the Mount Mariah Baptist Church in Atlanta at the age of four. Together, Gladys Knight and the Pips are one of the classic R&B and crossover groups whose sound has grown in popularity from the heyday of Motown in the early 1960s to the present day.īorn in Alabama in 1944, Gladys Knight was a gospel singer from childhood. ” Vince Aletti ’s praise for the vocal power of Gladys Knight is only one of the many such descriptions that she has received over her more than thirty years of performing and recording with the Pips. From the beginning, Knight ’s was a strikingly seasoned voice, dark and smokey, intense but contained, more glowing than explosive.
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Knight ’s husky, raw honey vocals are full of heat and miles deep. “Of all the voices in the pop pantheon, one of the richest, warmest and most comforting belongs to Gladys Knight ….
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